Neomaterialism is a blog run by Joshua Simon, curator and writer and a 2011-2013 Vera List Center Fellow at the New School, who is researching expanded notions of Thingness.


The aim of this blog is to examine the order of things today. How come symbols behave like materials (“fake” and “real” brands)? Why have commodities become the historical subject (we furnish our world with IKEA or rather we dwell in its world)? Are humans reduced to simply absorbing surpluses (baby diapers are a form of child labor)? How labor has shifted from production to consumption? Why is everything we do work (even when we are not employed) and how can a generation overqualified for the labor market can change everything?


The blog will host source materials and documents, together with commentary and analysis.

Selected projects by New School students will be posted on the blog.


Re-introducing different notions of materialism into the already established conversation on the subjectivity of things, Neomaterialism continues the investigation which the new-materialists have begun, relating it to labor, debt, credit, animisim and alienation, life-taxes and social organization.


Working towards a book Neomaterialism (forthcoming in 2012 from Sternberg Press), the blog also operates as an ongoing archive for references and sources. On the U.S. launch of the book in fall 2012, a series of object “stagings” is organized by the Vera List Center encircling various neomaterialist notions of Thingness.

Sternberg Press presents:

Neomaterialism

by Joshua Simon

Venice Biennial book launch

Thursday, May 30, 19:00

Fondazione Bevilacqua La Masa

Piazza San Marco 71/c (opposite side of the Basilica)

30124 Venezia

Tel. +39 041 5237819

(Vaporetto stations: San Marco Vallaresso or San Zaccaria - Lines 1 and 2)

Participants:

Julia Moritz, Curator, Berlin

Antonio Somaini, Professor in Film Studies, Visual Studies and Media Theory at the Université Paris 3 Sorbonne Nouvelle

Hito Steyerl, Filmmaker, Professor at Universität der Künste Berlin

Joshua Simon, author of Neomaterialism (Sternberg Press, 2013)

 

Venice Biennial book fair presentation

Friday, May 31, 12 Noon

Joshua Simon presenting the book

The Book Affair

San Lorenzo, Castello

5065 Venezia

 

About the book:

Neomaterialism/Joshua Simon

 

Since the so-called dematerialization of currencies and art practices in the late 1960s and early 1970, we have witnessed a move into what can be called an economy of neomaterialism, where our role is to absorb surpluses. With this, several shifts have occurred: the commodity has become the historical subject, the focus of labor has shifted from production to consumption, and symbols now behave like materials.

 

Neomaterialism explores the meaning of the world of commodities, and reintroduces various notions of dialectical materialism into the conversation on the subjectivity and vitalism of things. Reflecting on general intellect as labor and the subjugation of an overqualified generation to the neofeudal order of debt finance, Neomaterialism merges traditions of epic communism with the communism that is already here.

Joshua Simon is director and chief curator at MoBY - Museums of Bat Yam. He is a fellow at the Vera List Center for Art and Politics, The New School, New York and the editor of Solution 196-213: United States of Palestine-Israel (Sternberg Press, 2011)

image

 

Design by Avi Bohbot
12 x 20 cm, 194 pages, 14 b/w ills., softcover
ISBN 978-3-943365-08-5
€16.00

Saturday 5/25/2013

fetish; book;

Optimundus, the new show by Jos de Gruyter and Harals Thys 

at M HKA closed yesterday.

In January 2014 it will be shown in Kunsthalle Wien.

New Jacobin issue Assemply Required 
Friday 4/26/2013

gravity; guillotine; IKEA;

Saturday 4/20/2013

(1 note)

fetish; commodities; DDR; economics;

Double Bound Economies

Reading an East German Photo Archive, 1967-1990
April 11th - May 23rd 2013
Opening: April 10th 2013, 6pm
ETH Zurich

Commissioned by GDR Kombinate (combines or industrial complexes), the photo archive was produced between 1967 and 1990 by the freelance photographer Reinhard Mende. Recorded on 1.600 filmsaccessible as contactsheets is an image of Real Socialism. It contains black and white and color photographs of GDR industrial operations in addition to GDR products presented at the International Trade Fair in Leipzig. The exhibited products were to be exported internationally and deliberately displayed to promote a social system: The trading goods as means to design socialism. Real Socialism was, thus, not just the condition of production, but was on display as a marketable good for international markets and served as a political means for achieving sovereign state recognition. The photo archive is a starting point of a multilayered research carried out in a group of artists, curators, historians, and architects. It becomes manifest inexhibitions in 2012 and 2013 and several publications, such as the exhibition catalogue, a students publication. Along a selection of images from the photo archive, the exhibitions and the catalogue include various artistic contributions, context material and interviews. The exhibition catalogue combines new commissions of texts and re-prints of seminal essays on design, photography and the archive. The photo archive is organized along archival numbers, titles, dates, that were assigned by the photographer. As part of the research process tags were developed and attributed to individual images. These tags, including delegation, exterior, fashion, graphic structure, laboratory, lamps, meeting, packaging, solidarity, visitors, etc. are arranged in the main categories theme, concept, site, category and are meant to evolve over time. Users are invited to comment the images on the website and propose additional tags.

 

B. Wurtz and Triple Canopy
History Works April 14 – 25, 2013
Opening reception:Sunday, April 14, 6–8 p.m.
Screening at 155 Freeman Streetof Wurtz’s early film work and discussion with Josh Tonsfeldt and Hannah Whitaker: Wednesday, April 17, 155 Freeman St., 7-9 p.m.
See also
and also

B. Wurtz and Triple Canopy

History Works 
April 14 – 25, 2013

Opening reception:
Sunday, April 14, 6–8 p.m.

Screening at 155 Freeman Street
of Wurtz’s early film work and discussion with Josh Tonsfeldt and Hannah Whitaker: 
Wednesday, April 17, 155 Freeman St., 7-9 p.m.

See also

and also

Mark Rappaport on The Secret Life of Objectsfrom Rouge, issue 13, April 2009
Saturday 2/9/2013

fetish; garbage; film; surplus; unreadymade; display;

Mark Rappaport on The Secret Life of Objects

from Rouge, issue 13, April 2009

Tuesday 11/20/2012

(1 note)

fetish; labor;

Malvina Reynolds - Carolina Cotton Mill Song

Oh I love to get into my clean bed

With its sheets so fair and white,

And when I am in my clean bed,

I sleep thru most the night,

And my dreams are hardly troubled

By the worrying of my mind

For the workers who die of the brown lung

In the mills of Caroline.

Chorus:

Oh the mystical people, they think they are wise,

With the smooth on their faces and stars in their eyes,

But the truths of this system are spoken and sung

By the workers who bear the brown lung.

Oh it’s Burlington and Cannon

And the names we wives know well,

Who advertise the sheets and towels

And give us the old soft sell,

And they’d rather buy the government men

With promotions here and there,

Than pay out company profits For to clean the cotton mill air.

(Chorus)

Oh some people talk of the yin and yang

And walk in a kharma daze,

As though the influence of the stars

Could change mill owners ways,

But the people who work in the cotton mills

They know how the world is run,

And they need some help of an earthly kind

To live their time in the sun.

(Chorus)

Oh the mystics they wear the blue jeans

But their heads are in the stars,

For they do not know how the denim is made

Nor the years of workers’ wars.

And my place is not in an ivory tower

Or seeking some power divine,

But it’s out on the bricks with the union folks

At the mills in Caroline.

(Chorus)

Monday 10/22/2012

(2 notes)

fetish; surplus; money; garbage; gold; commodities; debt; tv; marx;

In the Orozco Room at the New School, the conversation on Neomaterialism with cultural critic Noam Yuran focused on brands as these things that are actually made of money, and on money as a social relation that is both material and non-material thing, and on TV as the social factory where brands are being made, and on the production of scarcity through advertisements, and on the Ipad as the emblem of our relation to materials in a reality in which everything can be bought only to find its way to the garbage…..

Over the last four decades we have witnessed processes of dematerialization in various fields: money has been dematerialized with the dissolution of the gold standard, commodities have been dematerialized with the ascendance of brand names, and art practices were dematerialized by the emergence of movements such as conceptual art. Taken together, these processes can serve as a starting point for rethinking materialism. Rather than render the concept of materialism obsolete, they force us to ask whether we are finally able to understand what materialism was really about.

The conversation was organized and presented by the Vera List Center for Art and Politics, as part of its 2011-2013 curatorial focus theme Thingness, and in conjunction with the center’s New School class Art & the Political.

Anthropocene

Anthropocene is the name for our contemporary unit in the division of geological epochs. This is a man-influenced strata of Earth, dating back to the rise of agriculture and enhanced since the industrial revolution.

Wednesday 10/17/2012

garbage; geology; surplus; anthropocene;

Tomorrow: Neomaterialism. Joshua Simon and Noam Yuran on the Life of Commodities


Elisheva Levy, “Paper Smokes”, 2010
*CONVERSATION

Neomaterialism. Joshua Simon and

Noam Yuran on the Life of

Commodities

Tuesday, October 16, 6:30–8:00 p.m.
The New School, Orozco Room
66 West 12th Street, 7th floor
20 Years VLC => Free Admission; RSVP required at vlc@newschool.edu
Bookmark and Share

Over the last four decades we have witnessed processes of dematerialization in various fields: money has been dematerialized with the dissolution of the gold standard, commodities have been dematerialized with the ascendance of brand names, and art practices were dematerialized by the emergence of movements such as conceptual art. Taken together, these processes can serve as a starting point for rethinking materialism. Rather than render the concept of materialism obsolete, they force us to ask whether we are finally able to understand what materialism was really about.

The conversation between cultural critic Noam Yuran and Vera List Center Fellow and curator Joshua Simon addresses the economy of meaning in a reality where symbols have come to behave like material things, and thus assume the place of things. This substitution allows us to reconsider the thing itself and to ask—expanding on the investigation of materialism—what the thing was all along.

Set in The New School’s historic Orozco Room from 1931, the conversation is embedded in a historic playing field, with Jose Clemente Orozco’s murals depicting allegories for 20th century liberation struggles in Mexico, India and Russia.

Participants: 

Joshua Simon, 2011-2013 Vera List Center Fellow, chief curator, MoBY - Museums of Bat Yam, Tel Aviv. His fothcoming book Neomaterialism is forthcoming (Sternberg Press).
Noam Yuran, research fellow, Minerva Humanities Center, Tel Aviv University, Israel. His book Money’s Desire: on Economic Ontology is forthcoming (Stanford University Press).

Organized and presented by the Vera List Center for Art and Politics, as part of its 2011-2013 curatorial focus theme Thingness, and in conjunction with the center’s New School class Art & the Political.

VLC = 20 Years. Join us for a 20th anniversary year, with free admission to all VLC events. Stay tuned for more information.

Tuesday 10/16/2012

(1 note)

money; fetish; commodities; debt;